Initially, Deaf audiences complained that NTD's productions were too heavily geared towards hearing audiences.

Initially, Deaf audiences complained that NTD's productions were too heavily geared towards hearing audiences.

• A. True
• B. False
• C. Not sure
• D. They were perfect as is

Answer: (A)

The main idea is how performances are designed for different audiences and what makes them accessible to Deaf viewers. Deaf audiences felt that early NTD productions were shaped with hearing audiences in mind—relying more on spoken dialogue or conventional stage elements rather than clear, visually centered ASL storytelling. This feedback pointed to a gap in Deaf accessibility, so the statement that Deaf audiences complained about productions being geared toward hearing audiences is true. In practice, it highlights why Deaf-centered approaches—strong ASL presence, visual drama, and accessible interpretation—are crucial for truly inclusive performances.

The main idea is how performances are designed for different audiences and what makes them accessible to Deaf viewers. Deaf audiences felt that early NTD productions were shaped with hearing audiences in mind—relying more on spoken dialogue or conventional stage elements rather than clear, visually centered ASL storytelling. This feedback pointed to a gap in Deaf accessibility, so the statement that Deaf audiences complained about productions being geared toward hearing audiences is true. In practice, it highlights why Deaf-centered approaches—strong ASL presence, visual drama, and accessible interpretation—are crucial for truly inclusive performances.